Harvey Weinstein Remembers Robert De Niro During ‘Cop Land’ At Cannes Tribute & ‘Hands Of Stone’ Screening
Da qui. During the introduction of Robert De Niro’s tribute tonight at the Cannes Film Festival that preceded a special screening of Hands Of Stone, Harvey Weinstein told the packed house at the Grand Theatre Lumiere just how much of a mensch the actor is. It was during the production of Miramax’s Cop Land, which marked director James…
The Irishman sarà distribuito da STX dopo una lunga guerra per i d(i)ritti
Da Deadline EXCLUSIVE: Martin Scorsese’s mob picture The Irishman has landed at STX Entertainment in a huge deal for international rights that could be a recent record for Cannes. We’re hearing the deal could be worth as much as $50 million. The deal was struck very late Saturday night L.A. time after lengthy negotiations that went through the…
De Niro, 27th Annual GLAAD Media Awards in New York
“As an actor, I don’t judge the characters I play. As a person, I don’t judge the characters I play with,” he said to cheers and applause from the crowd. “I was fortunate to grow up in an atmosphere where freedom of expression in art and in life were the norms. Now, we have to…
The Irishman di Scorsese, il Cinema ha bisogno di sperare, anche di sparar(si)
Anche di espiare… le nostre colpe, le fratture scomposte dei nostri “arti” mentali, ha bisogno di respirare di nuova gloria, necessita “urgentemente” di un filmone epico fuori dal tempo, ambientato negli anni settanta, a mobster biopic di rar(efatt)a classe. Pausa pen(s)ante Sapete, amici, fratelli della congrega che vi cingete coi vostri abbracci nel bac(i)o della…
The Irishman fa gola a Cannes
Da Variety Rights to Martin Scorsese’s big-budget period drama “The Irishman” could be made available in the next 24 hours, turbocharging a Cannes market that has been slow going over the first three days. Mexican sales company Fabrica de Cine has offered to finance the $100 million production, but the film, which would star Robert…
La canzone della vita – Danny Collins, recensione
Al Pacino invecchia da “mostro sacro”, mostruosamente impazzito di mani agganciate alla sua logorrea manieristica, “truccata” di sopracciglia nerissime, scuritosi nel tempo d’una “miticità” oramai trascorsa, mani inferme, oh mio Dio, sì, non stan mai un attimo calme, è tutto un esagitarsi di suoi “palmi” e dei capelli imparruccati (forse un “vistoso” parrucchino) “imbrillantinati” nella…
